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The New Citizen Kane Moves Between Cosmic Ballads and Sunny Pop on “do YOU trust INSTINCT?”
What stays with me is the sheer pleasure Kane takes in pop that’s accessible. He moves from a fairly rhythmic insistence through to a soft ballad and then into a rather sunny finale. The final section is particularly rewarding, full…
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A Dark Story Meets an Autumn Earworm on Aaron Marlowe’s New Single
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Shifting Rhythms and Layered Voices Shape first known use’s Debut EP “Yielding”
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Brandon Hixson’s Christmas Album Begins Where a Family Ice-Cream Run Went Spectacularly Wrong
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“Better” Marks a Fresh Start for Ana Golja and Her Love of Soul
Editor’s Picks
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A Dark Story Meets an Autumn Earworm on Aaron Marlowe’s New Single
Aaron Marlowe has spent over 25 years making music, and on The Night She Came Home, the Middle Tennessee songwriter puts a Southern murder mystery inside a melancholy pop-rock song.…
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Shifting Rhythms and Layered Voices Shape first known use’s Debut EP “Yielding”
“Yielding” is what earns that conclusion through the volatility that comes before. After all the shifts in pressure and density, to just stay in one atmosphere is in itself a…
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Brandon Hixson’s Christmas Album Begins Where a Family Ice-Cream Run Went Spectacularly Wrong
Texas singer-songwriter and worship pastor Brandon Hixson finds a particularly useful Christmas memory at the bottom of a muddy ditch. A childhood ice-cream outing with his mother supplied the incident;…
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Fourteen Tracks, One Personal History with Komby Dot IO: “Cities are chapters, and each capital has its own frequency.”
His completed 14-track album, Pattern, traces experiences of heartbreak, travel and starting again, with London, Hong Kong and Bruce Lee among its reference points.
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Tennis on Wednesdays Bring Standout Vocals and Party Energy to Debut Single “Honey Trap”
That distinctive voice stands out immediately among the flood of indie rock releases, giving “Honey Trap” an extra spark and an identity you can recognise within seconds.
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Dillon Vanders Gives the Country-Pop Machine a Sweet-Sounding Side-Eye on “Rich Boys With Banjos (Pretty Girls With Guitars)”
It’s the sort of song you put on during a warm afternoon and end up playing three times. There’s something particularly satisfying about hearing these elements fall into place: the…
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Solveig Sørbø on Bringing “Heroin Chic” to Life — “It required great stamina and willpower from everyone involved.”
In our interview, Sørbø discusses adapting Fonn’s novel, the unsettling relationship between musical pleasure and Elise’s suffering, and the performers who helped shape her characters. She also recalls the practical…
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Floyer on Identity, Observation and “The Last Tickets to the Show” — “Everyone is essentially a mystery”
In our conversation, Floyer discusses revisiting songs written years apart, the demands of producing a debut, and how beginning to perform live brought the album’s central concerns into everyday life.…
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Sacha Mullin Gets Closer to the Pop He Loves on His New Album “Social Touch”
Mullin’s voice is capable of great theatricality and these arrangements give that theatricality a social raison d’etre. He wants the feeling to be received by someone.
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Milyam Turns a Quiet Confrontation Into Something Personal on “Dream”
That balance is what gives “Dream” its particular tension really, the instruments provide a very attractive surface and the words are always drawing you back to the damage beneath.
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Roxanne Builds a Slow-Burning R&B Pop Rush on “Inferno City”
Her latest single, “Inferno City”, puts that musical range to work through a combination of bright rhythmic energy, a measured pace and expressive R&B vocals.
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Exclusive Interview: Jah Decko — “Sometimes the smallest victories mean the most”
In the studio, Decko puts considerable trust in a musician’s instincts. A drum take with an awkwardly placed microphone can earn its place through the strength of its groove; a…
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A Dark Story Meets an Autumn Earworm on Aaron Marlowe’s New Single
Aaron Marlowe has spent over 25 years making music, and on The Night She Came Home, the Middle Tennessee songwriter puts a Southern murder mystery inside a melancholy pop-rock song. An ambitious assignment for a…
-
A Dark Story Meets an Autumn Earworm on Aaron Marlowe’s New Single
Aaron Marlowe has spent over 25 years making music, and on The Night She Came Home, the Middle Tennessee…
-
Shifting Rhythms and Layered Voices Shape first known use’s Debut EP “Yielding”
“Yielding” is what earns that conclusion through the volatility that comes before. After all the shifts in pressure and…
-
Brandon Hixson’s Christmas Album Begins Where a Family Ice-Cream Run Went Spectacularly Wrong
Texas singer-songwriter and worship pastor Brandon Hixson finds a particularly useful Christmas memory at the bottom of a muddy…
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“Better” Marks a Fresh Start for Ana Golja and Her Love of Soul
The appeal lies in that commitment: an experienced performer taking responsibility for the music bearing her name, with years…
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bby Mario Turns Dancefloor Attraction into a Flirty Latin Pop Invitation on “VEN AQUI”
There’s charm in an artist building a song about shared experience from his own recording space. Mario’s approach puts…
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Sadie Nix Owns Her Part in the Drama and Takes Back Control on “Over It”
That self-awareness makes the song’s defiance persuasive. Nix gives herself a proper telling-off, then uses the lesson to reclaim…
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Hélianthème Bring Maritime Storytelling and Celtic Folk Together on “Les Rivages”
There’s an appealing sense of adventure in the circumstances surrounding this record. The group travelled from Saint-Malo to Baltimore…
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Henry Aberson Gives Returning Feelings a Soulful Groove on “Wouldn’t You Know”
Coming after “Tunnel Vision” and “Rabbit’s Got a Gun,” this single continues Aberson’s exploration of modern soul through an…
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Manu Míguez Builds from Piano Intimacy to a Powerful Finish on “Mal de altura”
“Mal de altura” offers a focused introduction to Míguez’s writing. Its strength lies in the relationship between the exposed…
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ZIRO Bring Spanish Indie Rock and Live Ambition Together on “Todo Arde”
Six musicians with a substantial history onstage have plenty to draw upon, and this next phase gives their emotional…
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B-Rad Gives Holiday Loneliness a Personal Voice on “(Ho Ho) Hold Me In Your Heart”
The cheerful “Ho Ho” beside such a vulnerable request is an interesting choice. Those words carry all the familiar…
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S3th Examines the Hurt We Cause and the People We Want to Be on “Who I Am”
There’s something valuable in acknowledging your own contribution to the mess, especially when blaming somebody else would be easier.
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