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Solveig Sørbø on Bringing “Heroin Chic” to Life — “It required great stamina and willpower from everyone involved.”
In our interview, Sørbø discusses adapting Fonn’s novel, the unsettling relationship between musical pleasure and Elise’s suffering, and the performers who helped shape her characters. She also recalls the practical gamble behind the recording session and the relief of seeing…
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Floyer on Identity, Observation and “The Last Tickets to the Show” — “Everyone is essentially a mystery”
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CARDELINA Embraces Departure and Personal Transformation on the Psychedelic Folk of “Yo me iré”
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LUC Turn “Glow” Into a Meeting Point for Electronic Pop, Garage Grit and Vocal Cool
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Juvenal Puts Pride, Vulnerability and the Courage to Make the First Move at the Heart of “Truce”
Editor’s Picks
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Floyer on Identity, Observation and “The Last Tickets to the Show” — “Everyone is essentially a mystery”
In our conversation, Floyer discusses revisiting songs written years apart, the demands of producing a debut, and how beginning to perform live brought the album’s central concerns into everyday life.…
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Sacha Mullin Gets Closer to the Pop He Loves on His New Album “Social Touch”
Mullin’s voice is capable of great theatricality and these arrangements give that theatricality a social raison d’etre. He wants the feeling to be received by someone.
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Milyam Turns a Quiet Confrontation Into Something Personal on “Dream”
That balance is what gives “Dream” its particular tension really, the instruments provide a very attractive surface and the words are always drawing you back to the damage beneath.
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Roxanne Builds a Slow-Burning R&B Pop Rush on “Inferno City”
Her latest single, “Inferno City”, puts that musical range to work through a combination of bright rhythmic energy, a measured pace and expressive R&B vocals.
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Exclusive Interview: Jah Decko — “Sometimes the smallest victories mean the most”
In the studio, Decko puts considerable trust in a musician’s instincts. A drum take with an awkwardly placed microphone can earn its place through the strength of its groove; a…
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Exclusive Interview: Lucky Duck on Six Years of Life, Faith and Burnout Behind “SANITY”
With “SANITY” now released, we caught up with Lucky Duck to discuss the sessions, choosing which personal experiences to share, and revisiting songs written years earlier.
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Evelí Ray Explores Time, Love and Mortality Through Argentine Rhythms on “Tiempo”
A piece dealing with the subject of death could quite easily fill its whole duration by merely thinking about itself. By giving these thoughts a rhythm, Ray achieves something dynamic.…
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James Crowley on Imprint, Queer Identity and Collaboration: “I think of myself as a song collector, really.”
His four-track EP, “Imprint,” released through TRIPEL Records, explores desire, family, past relationships and queer identity, with Amey contributing to the writing and Horner returning as producer.
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KYLO’s “Maybe” Is for Everyone Who Kept Moving Their Own Breaking Point
“Maybe” concerns the exhausting business of bargaining with your own expectations. You love someone. You want more from them.
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“What Should Zombie Fest Become?” Zombie Fest 9 Look Beyond Their Biggest Edition Yet
“People rarely remember how professionally your spreadsheet was organised,” the Zombie Fest organisers says. “They remember how the event made them feel.” After more than twenty years of promoting events,…
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Hui. and STNZA Turn Years of Writing Together Into the Warm, Reflective Groove of “Count In”
On “Count In” this background results in a slow and atmospheric style, with the vocals being incorporated into the overall production.
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Bash Co. Turns a Prague Romance Into a Personal Revolution on “Velvet”
Bash Co. also keeps several possible stories alive. These could be lovers facing separation, somebody experiencing attraction amid turmoil, or a person returning to places attached to an earlier relationship.
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Milyam Turns a Quiet Confrontation Into Something Personal on “Dream”
That balance is what gives “Dream” its particular tension really, the instruments provide a very attractive surface and the words are always drawing you back to the damage beneath.
-
Floyer on Identity, Observation and “The Last Tickets to the Show” — “Everyone is essentially a mystery”
In our conversation, Floyer discusses revisiting songs written years apart, the demands of producing a debut, and how beginning…
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CARDELINA Embraces Departure and Personal Transformation on the Psychedelic Folk of “Yo me iré”
Read alongside the song’s themes, those roots give the idea of departure greater significance: home remains part of the…
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LUC Turn “Glow” Into a Meeting Point for Electronic Pop, Garage Grit and Vocal Cool
Its accessible songwriting offers an immediate way in, while the duo’s musical personality gives listeners a reason to stay.…
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Juvenal Puts Pride, Vulnerability and the Courage to Make the First Move at the Heart of “Truce”
Juvenal puts that delicate exchange at the centre of his introduction, suggesting a writer drawn to the compromises that…
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Mistikay Brings Afrobeats Charm and a Carefree Attitude to “Get Laid”
Following releases including “Bundle Bundle,” Mistikay offers another introduction to his melodic world. “Get Laid” makes its intentions clear…
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Mateo Helbling Steps Forward With “Cambiar De Piel”
“Cambiar De Piel” offers a starting point for exploring the musician’s individual catalogue alongside his work with others.
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Sacha Mullin Gets Closer to the Pop He Loves on His New Album “Social Touch”
Mullin’s voice is capable of great theatricality and these arrangements give that theatricality a social raison d’etre. He wants…
-
Milyam Turns a Quiet Confrontation Into Something Personal on “Dream”
That balance is what gives “Dream” its particular tension really, the instruments provide a very attractive surface and the…
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Phoenix.REM Explores the Life Left Behind on “Heart Without a Beat”
Phoenix.REM approaches recovery as a gradual adjustment, with love remaining part of the experience as the possibility of moving…
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ÖJA Turns Anger into a Claim for Affection on “DADISSUES”
Her narrator wants access to another person’s thoughts, wants to establish who holds power, then declares herself queen of…
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Allan Peterson Brings Country Wit to “A Little Less Giddy Up”
Peterson draws on a familiar country tradition: give somebody a point of view, let the audience take sides, and…
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Fania Puts Roots and Responsibility at the Heart of “L’empreinte”
It gives a sprawling subject a manageable frame, while Fania’s emphasis on cultural respect provides a clear reason to…
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