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B-Rad Gives Holiday Loneliness a Personal Voice on “(Ho Ho) Hold Me In Your Heart”
The cheerful “Ho Ho” beside such a vulnerable request is an interesting choice. Those words carry all the familiar Christmas excitement, while “hold me in your heart” asks for something painfully modest.
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S3th Examines the Hurt We Cause and the People We Want to Be on “Who I Am”
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Fourteen Tracks, One Personal History with Komby Dot IO: “Cities are chapters, and each capital has its own frequency.”
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Tennis on Wednesdays Bring Standout Vocals and Party Energy to Debut Single “Honey Trap”
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Dillon Vanders Gives the Country-Pop Machine a Sweet-Sounding Side-Eye on “Rich Boys With Banjos (Pretty Girls With Guitars)”
Editor’s Picks
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Tennis on Wednesdays Bring Standout Vocals and Party Energy to Debut Single “Honey Trap”
That distinctive voice stands out immediately among the flood of indie rock releases, giving “Honey Trap” an extra spark and an identity you can recognise within seconds.
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Dillon Vanders Gives the Country-Pop Machine a Sweet-Sounding Side-Eye on “Rich Boys With Banjos (Pretty Girls With Guitars)”
It’s the sort of song you put on during a warm afternoon and end up playing three times. There’s something particularly satisfying about hearing these elements fall into place: the…
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Solveig Sørbø on Bringing “Heroin Chic” to Life — “It required great stamina and willpower from everyone involved.”
In our interview, Sørbø discusses adapting Fonn’s novel, the unsettling relationship between musical pleasure and Elise’s suffering, and the performers who helped shape her characters. She also recalls the practical…
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Floyer on Identity, Observation and “The Last Tickets to the Show” — “Everyone is essentially a mystery”
In our conversation, Floyer discusses revisiting songs written years apart, the demands of producing a debut, and how beginning to perform live brought the album’s central concerns into everyday life.…
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Sacha Mullin Gets Closer to the Pop He Loves on His New Album “Social Touch”
Mullin’s voice is capable of great theatricality and these arrangements give that theatricality a social raison d’etre. He wants the feeling to be received by someone.
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Milyam Turns a Quiet Confrontation Into Something Personal on “Dream”
That balance is what gives “Dream” its particular tension really, the instruments provide a very attractive surface and the words are always drawing you back to the damage beneath.
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Roxanne Builds a Slow-Burning R&B Pop Rush on “Inferno City”
Her latest single, “Inferno City”, puts that musical range to work through a combination of bright rhythmic energy, a measured pace and expressive R&B vocals.
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Exclusive Interview: Jah Decko — “Sometimes the smallest victories mean the most”
In the studio, Decko puts considerable trust in a musician’s instincts. A drum take with an awkwardly placed microphone can earn its place through the strength of its groove; a…
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Exclusive Interview: Lucky Duck on Six Years of Life, Faith and Burnout Behind “SANITY”
With “SANITY” now released, we caught up with Lucky Duck to discuss the sessions, choosing which personal experiences to share, and revisiting songs written years earlier.
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Evelí Ray Explores Time, Love and Mortality Through Argentine Rhythms on “Tiempo”
A piece dealing with the subject of death could quite easily fill its whole duration by merely thinking about itself. By giving these thoughts a rhythm, Ray achieves something dynamic.…
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James Crowley on Imprint, Queer Identity and Collaboration: “I think of myself as a song collector, really.”
His four-track EP, “Imprint,” released through TRIPEL Records, explores desire, family, past relationships and queer identity, with Amey contributing to the writing and Horner returning as producer.
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KYLO’s “Maybe” Is for Everyone Who Kept Moving Their Own Breaking Point
“Maybe” concerns the exhausting business of bargaining with your own expectations. You love someone. You want more from them.
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Tennis on Wednesdays Bring Standout Vocals and Party Energy to Debut Single “Honey Trap”
That distinctive voice stands out immediately among the flood of indie rock releases, giving “Honey Trap” an extra spark and an identity you can recognise within seconds.
-
S3th Examines the Hurt We Cause and the People We Want to Be on “Who I Am”
There’s something valuable in acknowledging your own contribution to the mess, especially when blaming somebody else would be easier.
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Fourteen Tracks, One Personal History with Komby Dot IO: “Cities are chapters, and each capital has its own frequency.”
His completed 14-track album, Pattern, traces experiences of heartbreak, travel and starting again, with London, Hong Kong and Bruce…
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Tennis on Wednesdays Bring Standout Vocals and Party Energy to Debut Single “Honey Trap”
That distinctive voice stands out immediately among the flood of indie rock releases, giving “Honey Trap” an extra spark…
-
Dillon Vanders Gives the Country-Pop Machine a Sweet-Sounding Side-Eye on “Rich Boys With Banjos (Pretty Girls With Guitars)”
It’s the sort of song you put on during a warm afternoon and end up playing three times. There’s…
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dot:dot-dash Turn Delay Into Motion on “Cavalier Seul”
An anxious mind can keep itself thoroughly occupied while postponing the task at hand; the arrangement offers a musical…
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Amanda Fagan Gives Jekyll’s Experiment a Cruel Afterlife in “Breath on the Mirror”
His experiment leaves him watching the life he once controlled, reduced to a presence behind glass. The title earns…
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Conrado Cimino Opens the Door to “Prisma” With “Sirena”
With “Sirena” selected to represent the wider album, Cimino gives this particular song a considerable job: introduce the artist,…
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S3th Adds “After the Rain” to a Catalogue Built Through Collaboration
His catalogue includes solo songs and collaborations, with Tanner Southerland among his collaborators. “After the Rain” arrives in that…
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OHM Keeps the Focus Personal with “REMEMBER”
Following “1000 Lonely Hours” earlier this year, the song extends a productive period for OHM. His experience performing across…
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Chuck Royer Gives the Promise of a “New Day” Some Louisiana Grit
“New Day” works best through that clear sense of purpose. Its familiar themes suit the rootsy setting, and Royer…
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Solveig Sørbø on Bringing “Heroin Chic” to Life — “It required great stamina and willpower from everyone involved.”
In our interview, Sørbø discusses adapting Fonn’s novel, the unsettling relationship between musical pleasure and Elise’s suffering, and the…
-
Floyer on Identity, Observation and “The Last Tickets to the Show” — “Everyone is essentially a mystery”
In our conversation, Floyer discusses revisiting songs written years apart, the demands of producing a debut, and how beginning…
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